full cv
Current
.
Dec 2007 +
Fulltime artist, freelance writer, curator. Lives and works in Hobart
Education
.
1999 – 2001
PhD Fine Arts, University of Tasmania: Transforming histories: The visual disclosure of contentious pasts. http://eprints.utas.edu.au/2644/
1997 – 1998
Masters degree (MA) Fine Arts, Goldsmith’s College, University of London
1994
Bachelor of Visual Arts Honours, 1st Class, University of Tasmania
1991 – 1993
Bachelor of Visual Arts, Curtin University, West Australia
1984 – 1986
Bachelor of Arts Prehistory/Anthropology and English Literature, UWA, Perth, Australia
.
Positions
.
2010 – 2011
Curatorial team, INSIDE: Life in Children’s homes, National Museum of Australia. Opened and touring from Nov 2011
2010 – 2013
Honorary Associate, School of Art, Hobart, University of Tasmania
Adjunct Lecturer School of Communication and Creative Industries Charles Sturt University Wagga Wagga, New South Wales
2007 – 2013
Adjunct Principal Research Fellow, School of Creative Arts, James Cook University Townsville
2008 – 2009
Guest curator Tayenebe: Tasmanian Aboriginal women’s fibre work exhibition, Tasmanian Museum and Art Gallery Hobart opened Sat 4 July 2009, toured nationally to 2012. http://static.tmag.tas.gov.au/tayenebe/2007 – 08
2008 – 09
Research leave to undertake various curatorial project and Fellowships:
http://www.australiacouncil.gov.au/the_arts/artists_and_orgs/artists/julie_gough
including ms3251 online: http://manuscript3251.wordpress.com/about/ and http://www.bettgallery.com.au/artists/gough/futurehistory/index.htm
2005 – 2008
Lecturer Creative Arts, James Cook University, Townsville
2003 – 2004
Curator, Indigenous art Dept., National Gallery of Victoria, Melbourne
2002 – 2003
Lecturer, Aboriginal studies, Riawunna – University of Tasmania, Launceston
2001 – 2002
Voluntary sculpture lecturer at MGI (Mahatma Gandhi Institute), Moka, Mauritius
2001 – 2002
Artist residencies: Eddystone Lighthouse Tasmania; Mahatma Gandhi Institute Moka Mauritius; Greene St New York; Cite Internationale des Artes Paris
1999 – 2001
Interpretation Officer, Aboriginal Culture, Parks and Wildlife Service, Hobart
1999 – 2001
PhD Fine Arts, University of Tasmania: Transforming histories: The visual disclosure of contentious pasts. http://eprints.utas.edu.au/2644/
1997 – 1998
Masters degree (MA) Fine Arts, Goldsmith’s College, University of London
1994
Bachelor of Visual Arts Honours, 1st Class, University of Tasmania
1991 – 1993
Bachelor of Visual Arts, Curtin University, West Australia
1984 – 1986
Bachelor of Arts Prehistory/Anthropology and English Literature, UWA, Perth, Australia
1965
Born Melbourne, Australia
Curatorial positions
.
2013
Testing Ground. Curator, Salamanca Arts Centre, Hobart. Opened March 2013 and touring to 2014
2010 – 2011
INSIDE: Life in Children’s homes. Curatorial team, National Museum of Australia. Nov 2011 and touring 2012 – 2013
2009
Tayenebe: Tasmanian Aboriginal women’s fibre work exhibition. 4 July – 23 November Tasmanian Museum and Art Gallery, Hobart. Touring nationally 2010 – 2011
2008
The haunted and the bad: Nici Cumpston, Joel Birnie, Tony Albert, Yhonnie Scarce, Andrea Fisher, Linden – Centre for Contemporary Arts, St Kilda, Victoria, July – August. Catalogue ISBN 978-09579354-5-7
2003 – 2005
Curator, Indigenous Art, National Gallery of Victoria
Selected Awards
.
2014
AIR Tasmanian college artist in Residence (2015), Arts Tasmania
Grant, New Work – Established, Australia Council for the Arts
Project Grant, Regional Arts Tasmania
Plomley Research Project Grant, Queen Victoria Museum and Art Gallery, Launceston, 2014-16
Curatorial award ‘Testing Ground’ awarded BANK SA AWARD for BEST VISUAL ART & DESIGN ($500) at the 2014 Adelaide Fringe Festival 2014. 16 March
2012
Liverpool residency, Australia Council for the Arts, UK, Aug-Nov 2013
Creative Fellowship, ANU. One of five 3 month Fellowships offered to artist researchers as part of the ARC project collaborative research project Engaging Objects: Indigenous communities, museum collections and the representation of Indigenous histories. A joint project with the Australian National University ANU), the British Museum (BM) and the National Museum of Australia (NMA). Four-year linkage project funded by an Australian Research Council grant. The research team comprises Professor Howard Morphy (ANU), Dr Lissant Bolton (BM), Dr Ian Coates (NMA), Dr John Carty (ANU), Dr Maria Nugent (ANU), and Dr Michael Pickering (NMA) http://rsha.anu.edu.au/engaging-objects
2010
New Work – Established, Grant, Arts and Craft Board, Australian Council for the Arts
Two month artist residency, National Sculpture Factory [NSF], Cork, Ireland, NSF and UTAS. August – September 2010.
2009
Westpac Redlands Art Prize. Mosman Gallery 13 Nov – 6 Dec 2009 http://www.redlands.nsw.edu.au/go/redlands-community/redlands-westpac-art-prize
2008
Manning Clark House/ Copyright Agency Limited, 8 week Residential Fellowship 2008 Canberra for research at the National Library of Australia towards transcription and essays based on 19th century VDL Magistrate’s reports. July/Aug/Oct 2009.http://manuscript3251.wordpress.com/about/
2007
Visual Arts and Craft Board, Australia Council for the Arts, Visual Art Fellowship 2007-2008: Walking Homeland, An expansion of research and art practice on home and diaspora
State Library of Victoria three month Creative Fellowship: Strait crossings – Nineteenth century Indigenous relocation between Victoria and Van Diemen’s Land and beyond.
The production of an annotated bibliography and a wall projection project about cross Bass Strait relationships between Aboriginal people and sealers/whalers c.1795-1850
2006
Tasmaniana Library, State Library of Tasmania three week Fellowship: Picturing our past: a narrative response to representations of Indigenous Tasmania, December
1999
Arts Tasmania/Qantas Artsbridge Grant to install work at Liverpool Biennial, UK
1996
SAMSTAG Visual Arts Scholarship 1997/8: MVA Goldsmiths College, University of London
Arts Tasmania Development Grant. Attend/install work at Cologne Art Fair, Germany
Awarded an installation space as one of 25 ‘Young, emerging artists’ by the Jurors of Art Cologne (as part of the Forder Program, 1996)
1995
Arts Tasmania Development Grant to attend/install work at PERSPECTA 1995, Sydney
1994
First Class Honours. Awarded Australian Postgraduate Award Scholarship
1993
Curtin University Graduate Sculpture Prize. Curtin University Graduate Drawing Prize
1991, 1993
Member, Vice-Chancellor’s List, Curtin University (Academically highest 1% in University)
Collections (artworks represented in)
.
Artbank, New South Wales, Sydney
Art Gallery of New South Wales, Sydney
Art Gallery of South Australia, Adelaide
Art Gallery of West Australia, Perth
City of Port Phillip, Victoria
David Walsh Collection, Museum of Modern Art, Tasmania
Devonport Regional Gallery, Tasmania
Flinders University collection, South Australia
Janet Holmes à Court collection, West Australia
Margaret Levi & Robert D. Kaplan collection, Seattle
Mildura Arts Centre, Victoria
Murdoch University collection, West Australia
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
National Museum of Australia, Canberra
Parliament House collection, Canberra
Powerhouse Museum, Sydney
Redlands Grammar School, NSW
Queen Victoria Museum and Art Gallery, Launceston
State Library of Queensland, Brisbane
State Library of Tasmania, Hobart
Tamworth Regional Gallery, New South Wales
Tasmanian Museum and Art Gallery, Hobart
Memberships
.
2012 +
Board Member, Art Monthly Australia journal, Canberra
2010 – 2014
Member, Publication Committee, AIATSIS (Australian Institute of Aboriginal and Torres Strait Islander Studies)
2009 +
Director Member, Indigenous Australian Art Commercial Code of Conduct – Code Administration Committee
2009 – 2010
Board member, Craft Australia
2007 +
Member AIATSIS (Australian Institute of Aboriginal and Torres Strait Islander Studies)
Judging
.
2014
Co-Judge, Cossack Art Awards, Roebourne, WA, July
2012
Fremantle Print Prize, Pre-selection team and co-judge [one of three], July & August 2012
2010
NATSIAA Pre-selection judging panel member. National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, April/May
2009
Solo judge: 2009 Indigenous Ceramic Art Award, Shepparton Art Gallery, Victoria
2006
Group judge: The Xstrata Coal Emerging Indigenous Art Award, Queensland Art Gallery
2004, 05, 07, 08
Group judge: The National Interpretation Australia Awards
2004
Co-judge: National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin.
University examiner and co-ordination experience
.
.
2003 +
Examiner for 20 postgraduate submissions to date:
Sydney College of Art – University of Sydney, Queensland College of Art – Griffith University, University of South Australia, Australian National University, Charles Darwin University, Macquarie University, Royal Melbourne Institute of Technology, University of Western Sydney, Victoria University, Deakin University, Queensland University of Technology, Victoria College of the Arts – University of Melbourne.
Also: Honours examinations: James Cook University, University of Tasmania
2006
Co-ordinator James Cook University, Townsville, School of Creative Arts: Professional Practice, Sculpture
2002 – 2003
Lecturer, Riawunna, Centre for Aboriginal Studies, University of Tasmania
2001
Co-ordinator for the Sculpture Department Unit: Mixed Media Studies at the Mahatma Gandhi Institute/University of Mauritius School of Fine Arts
2000 – 2001
Co co-ordinator: Leeawuleena (Lake St Clair) Indigenous Interpretation Project, an initiative of TALC (Tasmanian Aboriginal Land Council) and Parks and Wildlife Service, Tasmania
1997
Co-ordinator Mixed Media Studies, University of Tasmania, School of Art, Hobart
Publications
Monographs
.
2009
Gough, J, Tayenebe – Tasmanian Aboriginal Women’s Fibre work, Tasmanian Museum and Art Gallery Hobart. ISBN 978-0-9806327-1-2
Book Chapters
.
.
2014
‘Honouring the past / making a future – The Tasmanian Aboriginal shell necklace tradition’ and ‘Lola Greeno: Cultural Caretaker’ in Lola Greeno: Cultural Jewels, Object Gallery, NSW, pp.108-116, 159, ISBN: 978-0-9578180-1-9
Gough, J, ‘Forgotten lives – the first photographs of Tasmanian Aboriginal people’, 2014, in: Calling the Shots: Aboriginal Photographies, edited by Dr Jane Lydon, Aboriginal Studies Press, Australian Institute of Aboriginal and Torres Strait Island Studies (AIATSIS), Canberra, Australia, ISBN: 9781922059598
2011
Gough, J, ‘The conciliation (etching)’, Alisa Bunbury (ed.) This Wondrous Land: Colonial Art on Paper, National Gallery of Victoria, ISBN: 9780724103447
2009
Gough, J and Naylor, S, ‘Circuit Breaking? Indigenous Australian Art and Critical Discourse’, Crossing Cultures: Conflict, Migration and Convergence(ed) Jaynie Anderson, Miegunyah Press, University of Melbourne, ISBN 978‐0‐522‐85711‐5, ch.164, pp.820‐825
2006
Gough, J, ‘Being collected and keeping it real’, Keeping Culture: Aboriginal Tasmania, (ed) Amanda Jane Reynolds, National Museum of Australia, Canberra, ISBN 1 876944 48X, pp. 9-20
Gough, J, ‘Being there, then and now – aspects of south east Aboriginal art’, Landmarks, (ed) Judith Ryan, National Gallery of Victoria, ISBN 0 7241 0267 1, pp.125 -131
2005
Gough, J, ‘Aboriginal Art’, ‘ Langerrareroune (Sarah Island)’, ‘Oyster Cove’, ‘Penemeroic, Toinneburer, Rawee’, ‘West coast Aboriginal escapes’, in (ed.) Alison Alexander, The Companion to Tasmanian History, Centre for Tasmanian Historical Studies, University of Tasmania, ISBN 186295223X, five entries p.1, 206, 261-2, 268-9, 383
2004
Gough, J, ‘Richard Browne’, ‘Benjamin Dutterau’ ‘Conrad Martens’, ‘John Skinner Prout’, in ed. Lindsay, Frances, The Joseph Brown Collection, National Gallery of Victoria, 2004, ISBN 0724120523 pbk,p.40; p.42; pp 46-7; p.50
Gough, J. & Purich, T, ‘Minyma Tjuta: Many women working with fibre and the figures of Kantjupayi Benson’ in ed. Judith Ryan, Colour Power – Aboriginal Art post 1984, National Gallery of Victoria, 2004, ISBN 0724120566 pbk, pp.126 -130
2000
Gough, J, ‘Cultural Relevance and Resurgence: Aboriginal Artists in Tasmania Today’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, pp.255-259
Gough, J, 2000, ‘Physiological Adaptation to Cold and other true horror stories’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, p.97
Gough, J, 2000, ‘History, Representation, Globalisation and Indigenous Cultures: A Tasmanian Perspective’, in Indigenous Cultures in an Interconnected World, eds Claire Smith and Graeme Ward, Allen & Unwin, 2000, ISBN 186448926X, pp.89-108
Journal Articles
.
2013
Gough, J, 2013, Fugitive history, images, Griffith Review, no. 39 (Autumn 2013), pp.193-200
2012
Gough, J, ‘2011 Indigenous Ceramic Art Award’, The Journal of Australian Ceramics, vol 512, July 2012, pp. 42-45
2010
Gough, J, ‘TAYENEBE/EXCHANGE’, Artlink, vol 30, #1, March 2010, pp.81-83
2009
Gough, J, ‘Tayenebe – Tasmanian Aboriginal women’s fibrework’, Object Magazine 59, October, pp32-33, issn: 1038-1856
2006
Gough, J, ‘Trading Places – why make Indigenous Art and where goes culture?’, MACHINE, Artworkers Alliance Queensland, Brisbane, Dec 2006, issue 2:3, issn: 1834-0237, pp.7-9
Gough, J, ‘The ‘Xstrata Coal Emerging Indigenous Art Award: some thoughts from the baseline’, Artlines – Queensland Art Gallery contemporary art journal, April 2006, ISSN 1325-8842, pp. 50-51
2005
Gough, J, ‘Space to Move and Grow: Bill Viola, Dadang Christanto, Hany Armanious, Wendy McGrath’ Art and Australia, Vol 43 No 2 Summer 2005, ISSN 0004-301X, p.276
2004
Gough, J, ‘Lola Greeno’s Purmaner’, ABV 44 – The Annual Journal of the National Gallery of Victoria, (ed) Isobel Crombie, ISSN 0066 7935, pp. 94-95
Gough, J, ‘Messages received and lately understood’, Australian and New Zealand Journal of Art, Vol.2, Number 1, issn 1443-4318, pp.155–162
1997
Gough, J, ‘Indigenous Australians in the Australian Museum’, Periphery #31, May 1997, issn 1034-0580, pp.10-13
Gough, J, ‘Cultural Relevance and Resurgence – Aboriginal Artists in Tasmania Today’, Art and Australia, Sept.1997, Vol.35 /No.1, issn 0004-301X , pp.108– 115
1996
Gough, J, ‘From the Deep South bearing True North – Reflections on the Wijay Na ? Conference and Exhibition’, Periphery # 28, August 1996, issn 1034-0580, p.7
1995
Gough, J, ‘N.J.B. Plomley – My memories of that meeting’, Pugganna, TAC (Tasmanian Aboriginal Centre Inc), Feb 1995, No.42
Exhibition catalogue essays
.
2013
Gough, J, in Harms, Lisa and Brown, Nic and Gough, Julie and Salmon, Fiona and Radok, Stephanie and Flinders University Art Museum, 2013, Crystal Palace, edited by Stephanie Radok, Flinders University Art Museum Adelaide, S. Aust, ISBN: 9780980520880
Gough, J, TESTING GROUND, Salamanca Arts Centre, Hobart. ISBN: 978-0-9870996-2-4
2012
Gough, J, ‘Up Close and Personal – Diverse and dedicated Indigenous ceramicists in Australia’, 2011 Indigenous Ceramic Award, Shepparton Art Gallery, Feb. 2012, pp-8-11, ISBN: 978-0-9870487-3-8
2009
Gough, J, ‘Being Home: responsibility to Country’, re-earthing exhibition catalogue essay, Devonport Regional Gallery, March, ISBN 978-0-9806231-0-9, pp. 6-15
2008
Gough, J, ‘The haunted and the bad’, Catalogue essay, Linden Gallery, St Kilda, Victoria, July. ISBN 978-09579354-5-7
2007
Gough, J, ‘The Ranger: Seeking the hidden figure of history’ catalogue essay for exhibition: The Ranger, SASA Gallery, UNISA, 11 Sept – 2 Oct 2007, Curator Mary Knights, pp. 7-11, ISBN 978-0-9803062-6-2
Gough, J, ’Strait on Shore’ catalogue essay for King Island Community art installation, Currie, King Island, March 16 – April 30, 2007
2005
Gough, J, ‘Recovering’, Cross-Currents exhibition catalogue essay, Linden – St Kilda Centre for Contemporary Art, 2 July – 7 August, 2005
2004
Gough, J, ‘Every which way but lost – the surround sound of skin’, SKIN exhibition catalogue essay, Long Gallery, Salamanca Arts Centre (Touring exhibition) , Hobart. 8 July – 8 August , 2004
2000
Gough, J, Talking Together – Conversations between artworks’, Catalogue essay for the Exhibition Talking Together. Curated by Lola Greeno, University Gallery, Launceston, September, 2000, pp.4-8
Conference proceedings
.
1997
Gough, J, ‘History, Representation, Globalisation and Indigenous Culture – a Tasmanian Perspective’, Fulbright Symposium papers, July 1997
Conference papers/presentations
.
2014
Summit speaker: FUTURE/FORWARD. NAVA (National Association for the Visual Arts) “The difference question: tokenism and inclusion. Facilitator: Professor Ghassan Hage, Artist: Dr Julie Gough”, 7 Nov 2014
Symposium speaker: Where are we ? Visual cultures of place making in a precarious age, ‘Time Traveller – Julie Gough, Humanities Research Centre, ANU. Convener Dr Melinda Hinkson, 6 Nov
Curator floor talk: Testing Ground – exhibition, Broken Hill Regional Gallery, 17 June
Conference co-presenter (with Carol Cooper, NMA): “Making memories & collecting memories: A tale of two Tasmanians”, Museums Australia National Conference 2014, Launceston Tasmania, 17 May
Symposium speaker: “Scottish artists and Tasmanian Aboriginal people in the 19th century” 8-11 May, Exhibition: For Auld Land Syne: Images of Scottish Australia from First Fleet to Federation, Art Gallery of Ballarat, 10 May
Symposium speaker: Empire, Humanitarianism and Non-violence in the Colonies, Wednesday 23 April, Henry Jones and Co. Room, University of Tasmania, Hobart. Convened by Penny Edmonds and Anna Johnston
Symposium speaker: INDIGENOUS PHOTOGRAPHIES, 3 April 2014, Centre for Art History and Art Theory, ANU School of Art and Aboriginal Studies Press AIATSIS. Re: publication Calling the shots: Indigenous photographiesedited by Professor Jane Lydon (UWA), Roland Wilson building, ANU. Professor Jane Lydon in discussion with Professor Helen Ennis (School of Art, ANU), Dr Melinda Hinkson (School of Archaeology and Anthropology, ANU), Dr Martyn Jolly (School of Art, ANU) and contributors Dr Lawrence Bamblett (AIATSIS), Shauna Bostock-Smith (teacher, PhD candidate), Dr Karen Hughes (Swinburne) and Dr Julie Gough (artist, curator and writer)
Curator floor talk: Testing Ground – exhibition, Flinders University Art Museum, Adelaide, 22 February 2014
Artist Talk: Testing Ground and Tense Past – investigations and inherited histories, Yunggorendi First Nations Centre for Higher Education and Research, Flinders University, Adelaide, 21 February 2014
2013
Symposium speaker: The Possessed Past, 23 Oct 2013, McDonald Institute for Archaeological Research, Cambridge University, UK, Chair: Damian Skinner
Artist talk: Museum of Natural History Le Havre, to staff and fellow artists, 10 Oct 2013, Pacifique project.
Artist talk: Tues 1 Oct 2013, Liverpool Biennale Office, Liverpool
Artist panel talk: Berlin Art Fair, c/- Artlink journal, Sat 21 Sept 2013
Artist panel talk: Australian Embassy Berlin, c/- Artlink journal, Wed 18 Sept 2013
Panel talk: INSIDE OUT – New Actions for change by First Australians, 10 July, AIATSIS, ACT, http://www.aiatsis.gov.au/events/insideout.html
2012
Artist talk. Pitt Rivers Museum Oxford. 19 October 2012.
Presentation: Contested terrain: space to experiment, National Art Educator’s Conference, National Gallery of Australia, 24 Jan
Symposium presentation: Traversing history, identity and place making on the grounds of art, Picturing the Wilderness 5 January, University of Tasmania, Hobart
2011
Artist talk. Charles Sturt University, School of Communication and Creative Industries. Wed 21 Sept, Thur 29 Sept.
Fibre Art presentation. Wagga Art Gallery. Wed 28 Sept.
Artist Floor Talk. Devonport Regional Gallery. Sat 3 Sept.
Symposium presentation: ‘Forgotten lives? – those photographed at Oyster Cove’, at: Photography and Indigenous Australians. Using the photographic archive to Recover History, Kin and Culture, State Library of Victoria, Wed 6 July 2011
Symposium presentation: ‘Shifting frontiers’, Picturing the wilderness symposium, 7 January, University of Tasmania, Hobart
2010
Public Lecture: ‘Norfolk Plains revealed. Frontier accounts from 1821-1861’ http://manuscript3251.wordpress.com/about/, Launceston Historical Society, Queen Victoria Museum and Art Gallery, Launceston, Tasmania, Sunday 21 November
Conference presentation: ‘Terra infirma: the colonial divide’, Conciliating Narratives, National Museum of Australia,18 November
Public Lecture. Tamworth Art Gallery, Saturday 13 November
Public Lecture. National Sculpture Factory, Cork Ireland 31 Aug 2010
Public lecture. National Gallery of Victoria, Federation Square, Sat 16 January
Symposium presentation. Picturing the wilderness, 8 January, University of Tasmania
2009
Conference presentation. 29 Sept AIATSIS 2009: Perspectives on urban life: connections and reconnections. ‘Living in the past. An Aboriginal artist’s experience of being Tasmanian.’ Download ppt: http://www.aiatsis.gov.au/research/conf2009/papers/R1.2.html
Guest presenter. Intensive ANU CCR: curating. 2-3 April 2009, Louise Hamby
Guest Presentation. Tayenebe – Tasmanian Aboriginal women’s fibrework, joint presentation with Lola Greeno, Selling Yarns conference, NMA,Canberra, 7 March 2009
Opening talk. Attesting, Nici Cumpston, Galllerysmith, Collingwood, 30 Jan. online
2008
Conference paper. Circuit breaking? Indigenous Australian Art and critical discourse, Dr Julie Gough and Dr Stephen Naylor, JCU. CIHA 2008, University of Melbourne: Crossing Cultures – Conflict, Migration, Convergences. 15 Jan 2008.
Artist talk. Esk Collection, Art Group, Longford, Tasmania. 17th February 2008
Artist talk. Big River Collection, Art Group, Hobart, 23 February 2008
Artist talk. National Gallery of Victoria: Australia, Melbourne. Floor and ppt lecture. 4 August 2008
Artist talk. with Brigita Ozolins..Living Writer’s Week, Tasmania, Hobart Penitentiary. 23 August. 2008
Guest speaker. Desart Conference, Alice Springs, Araluen Centre. Sept 26 2008.
2007
Artist exhibition floor talks. Musselroe Bay, Gallery Gabrielle Pizzi, 10 & 20 March 2007
Presentation. Strait Crossings, Women’s History month. State Library of Victoria, 28 March
Co-presentation. We’re Here – collaborations between NMA and the Tasmanian Aboriginal Community, Amanda Reynolds NMA, Lola Greeno Arts Tasmania, Julie Gough JCU, Museums Australia conference, National Archives, 18 May, Canberra
Artist exhibition floor talk. Thresholds of Tolerance ANU School of Art, 9 May 2007
Artist ppt presentation. Thresholds of Tolerance, CCR, ANU, 11 May 2007
Guest Artist lecture. Wilin Centre, Victoria College of the Arts, 25 May 2007
Presentation. Drawn Together: The Practice & Collection of Indigenous Drawings Ursula Frederick (convenor) Old Canberra House, ANU, Canberra. 28/29 May 2007
Presentation. ‘ART AND RE-ENACTMENT’ Conference ANU, Force Field & other stories – making as moving on, Humanities Research Centre, 5-7 June 2007
Artist talks WA. July/August/September
CENTRAL TAFE Perth July 2007
Curtin University Perth August 2007
Edith Cowan University August 2007
Albany WA visiting artist, Albany Library August 2007
Artist talk. South Australian School of Art. September 2007
2006
Participant. Art Debate – blakatak: Program of Thought 2006 TITLE: ‘Ego is not a dirty word’, Djon Mundine, MCA (Museum of Contemporary Art) Sydney, 10 Dec 2006
Presentation. People Identity & Place Seminar Series 2006, JCU, Townsville, 6 October 2006: ‘Making sense of place: the interdisciplinary potential of art, historic and contemporary, in reading Indigenous Tasmania’
Paper/presentation. ‘Intruder alert!: The meaningful layering of later history across Tasmanian place’, Senses of Place Conference, University of Tasmania and National Museum of Australia, Hobart, April 4-6
2005
Presentation. ‘Regeneration: Moving places and art making about Tasmanian Aboriginal history’, Remembering Place/Dismembering Home, 9th WIP conference, University of Queensland, 30 September 2005
Paper/presentation. ‘BARE TO THE BONE: ABSENCE AS MEMORIAL IN TASMANIA’ Art and Commemoration,ANU, 31 July 2005
Presentation. ‘Past Tense/Present Tenable’ Creative Territories Conference, Noosa Regional Gallery, 18 June 2005
2004
Paper/presentation. ‘How do Market forces influence contemporary Indigenous Australian artists?’, Blak Insights: Indigenous Voices New Directions, Queensland Art Gallery, 3-4 July, 2004
Paper/presentation. ‘Voices and Sources: Making Art and Tasmanian Aboriginal History’, Colonialism and Its Aftermath: An interdisciplinary conference, June 23-25, 2004 University of Tasmania, Hobart
2003
Co-presentation. ‘Woretemoeteyenner: Ancestral currents’ with Maggie Walter at AIATSIS Indigenous Researchers Forum, 1-3 October 2003, ANU
Paper/presentation. ‘Still Present Currents’, Fusion across the Arts Symposium, 10-12 April 2003, Australian National University Centre for Cross Cultural Research
2002
Paper/presentation. ‘Pathways to the past’, Indigenous Researcher’s Forum, Curtin University, WA, 27-29 November 2002.
Paper/presentation. ‘Art as recovery: connecting with spirit through cultural practice’, WIPCE (World Indigenous People’s Conference on Education), Calgary, Canada, August 5th 6th 2002
2001
Paper/presentation. ‘Portrait by Place – land and language’, Portrait and Place Conference, University of Tasmania/ANU, School of Art, Hobart, 1st September 2001
Paper/presentation. ‘Gaze, guise, ruse of Hybridity’ paper, University of Tasmania Colonialism and Its Aftermath Research Cluster forum, 27 July, 2001
1997
Paper/presentation. ‘Indigenous Cultures in an Interconnected World – A Tasmanian perspective’, Fulbright Symposium – Indigenous Cultures in an Interconnected World, NTMAG (Northern Territory Museum and Art Gallery), Darwin, July 24 – 27, 1997
Artist floor talk. Black Humour Exhibition, CCAS (Canberra Contemporary Art Space), July 1997
1996
Paper/presentation. ‘Landscape and Memory’, ACAF5 Conference (Australian Contemporary Art Fair, Melbourne) Upside down at the bottom of the World, 5 Oct. 1996
Paper/presentation. ‘Dark Secrets/Home Truths continued…’, Hobart Art Teachers Conference, School of Art, Hobart, 4 October 1996
Paper/presentation. ‘Dark Secrets/Home Truths’ read at Wijay Na ….? Aboriginal and non-Aboriginal Art and Artists Conference, NTMAG 15-16 June1996
Artist residencies
.
2013
Liverpool residency, Australia Council for the Arts, UK, Aug-Nov 2013
2010
Artist in Residence. National Sculpture Factory, Cork, Ireland. August – September.
Hazelhurst Regional Gallery, Gymea, Sydney. July. Produced artwork Attrition Bay for the exhibition Shifting Sands.
2007
Artist in residence. South Australian School of Art Gallery, Adelaide/Helpmann Academy Foundation, September
Artist in residence. Turner Galleries / Central Perth TAFE / Curtin University WA July-August http://www.turnergalleries.com.au/artists/julie_gough.php
2006
Artist in residence. Regents Court Hotel, Potts Point, Sydney. May – June
2001
Australia Council Greene St New York Residency. Feb-May 2002. $10,000
Commonwealth Arts and Craft Award. London. 6 months residency Mauritius and Rodrigues 9/01 – 2/02.
Arts Tasmania Wilderness Residency. ‘Eddystone Lighthouse’ Aug 2001 & Aug 2002
Solo Exhibitions
.
2015
(Upcoming) Solo exhibition, Bett Gallery, Hobart, Friday 03 July to Friday 24 July 2015
2014
HUNTING GROUND incorporating Barbeque Area, Gallery Gabrielle Pizzi, Melbourne, 23 Oct – 15 Nov, 2014
http://www.gabriellepizzi.com.au/exhibitions/gallery_gabrielle_pizzi_gough14.html
Artist statement: http://us6.campaign-archive1.com/?u=315924aa54fc13e8c7390444f&id=95bc20f89a&e=
Press:
http://www.theage.com.au/entertainment/art-and-design/barbecue-work-lights-up-australian-history-20141027-11cj63.html
OBLIVION (remix) Odradek space, AEAF (Australian Experimental Art Foundation), Adelaide. Curated by Eleanor Scicchitano, Oct 2014. http://aeaf.org.au/exhibitions/odradekaeaf.html
2013
The Lost World (Part 2), MAA (Cambridge University Museum of Anthropology and Archaeology, Cambridge, UK) http://maa.cam.ac.uk/maa/the-lost-world-part-2/
and CAT (Contemporary Art Tasmania, Hobart) Oct 23 – Nov 20, 2013
http://www.contemporaryarttasmania.org/program/the-lost-world-part-2
The Lost World (Part 1) CAST (Contemporary Art Studios Tasmania, Hobart) April 24 – May 26. http://www.contemporaryarttasmania.org/program/the-lost-world-part-1
Review: http://www.realtimearts.net/article/115/11155
2011
RIVERS RUN, Devonport Regional Gallery, September 2011
The Missing, Bett Gallery, Hobart, June – July 2011
The Crossing (The Consequence of Chance), Kelly’s Gardens, Salamanca Place, Hobart, March – April. 10 Days on the Island Festival
2010
RIVERS RUN, Cairns Regional Gallery, 5 February – 14 March
2008
Aftermath, 24 Hour Art Gallery, Darwin, 1 Aug – 5 Sept 2008
Fugitive History, Bett Gallery, Hobart: 11 March – 8 April 2007
The Ranger, South Australia School of Art Gallery, University of South Australia
2007
Interrupted – Renditions of unresolved accounts, Turner Galleries, Perth, West Australia
Musselroe Bay, Gallery Gabrielle Pizzi, Melbourne, Victoria
2005
Intertidal, Gallery Gabrielle Pizzi, Melbourne, Victoria
2002 – 04
Chase, installation, Ian Potter Centre: National Gallery of Victoria
2002
passages, Mahatma Gandhi Institute, Mauritius, February
2001
Heartland, Gallery Gabrielle Pizzi, Melbourne
Stand, Midlands Highway installation, Tasmania
ice, earth, air, fire, water, ice, Midlands Highways Installation, Tasmania
Tense Past, PhD Examination. Plimsoll Gallery, University of Tasmania, Hobart
1997
Re-collection, Gallery Gabrielle Pizzi, Melbourne
1996
Dark Secrets/Home Truths, Gallery Gabrielle Pizzi, Melbourne
Group Exhibitions
.
2015
(Upcoming project) Engaging Objects: Indigenous communities, museum collections and the representation of Indigenous histories. National Museum of Australia.
2014
The Skullbone Experiment, Queen Victoria Museum and Art Gallery, Launceston, 14 March – 18 May 2014, College of Fine Arts, UNSW, NSW, 19 July – 30 August 2014
Yey Sussura, NAIDOC Exhibition, July, Joondalup City, West Australia
Past Illusions and Present Realities, Nexus Multicultural Arts, Adelaide,14 Feb – 14 March
2013
The Z Factor, Plimsoll Gallery, Tasmanian College of the Arts, University of Tasmania,Hunter Street, Hobart, Dec 13 to Jan 31
Western Australian Indigenous Art Awards, Art Gallery of Western Australia, 23 August 2013 – 27 January 2014
2012
unDisclosed – 2nd National Indigenous Art Triennial, National Gallery of Australia, Canberra, May – July 2012
Deadly – In-between Heaven and Hell, Tandanya National Aboriginal Cultural Institute, Adelaide, 29 Feb – 25 March. Adelaide Festival 2012
2011
‘Immemorial – reaching back beyond memory’, developed by 24HR Art in collaboration with artists from Australia, Indonesia and the Philippines. Chan Contemporary Art Space Darwin, Curators: Norberto Roldan, Director, Green Papaya Art Projects, Manila Sudjud Dartanto, Independent Curator and Lecturer, Indonesia Institute of Art, Yogyakarta, Steve Eland, Director 24HR Art – NTCCA, Darwin, 27 October – 27 November
The Robinson Cup, Queen Victoria Museum and Art Gallery, Launceston. Curated by Damien Quilliam. Sept 2011 – Feb 2012
Journeys: through history, theory and practice. Plimsoll Gallery, Hobart. 29 July – 28 August. Curated by Paul Zika
Evolving Identities: contemporary Indigenous Art, John Curtin Gallery 13 May – 6 July 2011
River Effects: the waterways of Tasmania, Academy Gallery, Academy of the Arts, Launceston and Plimsoll Gallery, University of Tasmania, Hobart. March – April
2010
Immemorial, Vargas Museum, University of the Philippines, October – November
Shifting Sands: Botany Bay Today. Curated by Ace Bourke and Anna Lawrenson. Hazelhurst Regional Gallery. 20 Aug – 10 October
Littoral, Carnegie Gallery Hobart, 8 April – 16 May 2010
Look Out, Tasmanian Museum and Art Gallery, Hobart, March – July
Preview 2010, Bett Gallery Hobart, January
2009
Redlands Prize, Mosman Gallery, NSW. Nov-Dec 2009
Clemenger Award, National Gallery of Victoria, Sept 2009 – Feb 2010
The Dreamers, Julie Gough, Jonathan Jones, Emily McDaniel, Christopher Hodges, Ronnie Tjampitjinpa, Bill Gregory, John Mawurndjul, Vanessa Russ, Art Gallery of New South Wales, 8 July – 6 Dec 2009, http://artnews.com.au/details.php?e=1568
5th BIENAL de Artes VENTOSUL, Curitiba, Brazil, Aug – Nov
Recycled Library – Altered Books, curator Michael Wardell, Artspace Mackay, 4 Sept – 25 Oct and touring 2010
Marcher sur la pelouse (Walk on the Grass), Plimsoll Gallery, Uni of Tasmania, July-Aug
Coal, clay, water, wood, Mori Gallery, Sydney, July
Returning, Barn, Rosny, Tasmania, May and touring in 2010
Mute Relics, Counihan Gallery, Brunswick, Victoria, May
TRUST, Clarendon House, Evandale, Tasmania, March
2008
The stuff of history, Plimsoll Gallery, University of Tasmania, Hobart, August
Parallel, Long Gallery, Salamanca Arts Centre, Hobart, August [touring 2009-2010]
Ephemeral Art at the Invisible Lodge, Friendly Beaches, Freycinet Tasmania, Feb
2007
Power and Beauty: Indigenous Art Now, Heide Museum of Modern Art, 11/07- 03/08
Thresholds of Tolerance, ANU, School of Art Gallery, Canberra
An Other Place, Long Gallery, Salamanca Arts Centre, Hobart
Strait on Shore collaborative art project with King Island Community, 10 Days on the Island festival – Tasmania, Currie shop, King Island
Urban Arboreal, City Hall Gallery, Town Hall, Melbourne
Lessons in History: Volume 1, Grahame Gallery, Brisbane
New Acquisitions, Devonport Regional Gallery, Tasmania
Indigenous Responses to Colonialism: Another Story, Adelaide Festival Centre
Font, Central TAFE Gallery, Perth, West Australia
The Greens auction, Helen Maxwell Gallery, Canberra
70% Urban, National Museum of Australia, Canberra
2006
Biennale of Sydney, Pier 2/3, Walsh’s Bay, Sydney
TIDAL – City of Devonport Art Award, Devonport Regional Gallery
From an island south, Devonport Regional Gallery and ASIALINK touring 2006-08 to Lahore, Kuala Lumpur, Bangkok, Devonport
In the world: hand, head, heart, Tamworth Textile Biennale, Tamworth Regional Gallery, NSW. Touring nationally to end 2008
Senses of Place, Plimsoll Gallery, University of Tasmania, Hobart
Single Currency, Victoria College of the Arts, Melbourne
Ephemeral art at the Invisible Lodge, Friendly Beaches, Freycinet, Tasmania
2005
Recent Acquisitions: City of Port Phillip, Linden – St Kilda Centre for Contemporary Arts, Victoria
Habitus-Habitat, 8 artists respond to Wallaman Falls, Great Walks of Queensland Art and Environment, Perc Tucker Regional Gallery, Townsville
National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Museum and Art Gallery of the Northern Territory, Darwin
Cross Currents, Linden – St Kilda Centre for Contemporary Art, Victoria
Ware and Tear, Hylands Gallery, Chewton, Victoria
Isolation/Solitude, Salamanca Arts Centre, Hobart, Tasmania
On Island, Devonport Regional Gallery, Tasmania
2004
120° of Separation, Linden – St Kilda Centre for Contemporary Art, Victoria
If only you knew, Melbourne City Hall, Victoria
2003
<Abstractions> Drill Hall Gallery, ANU, Canberra. FUSIONS across the Arts – Centre for Cross Cultural Research ANU & ANU School of Art
2003 – 04
Outside Inside: Fragments of Place, Brigham Young University Museum of Art, Provo, Utah, USA. 9 October 2003 – 18 April 2004 http://www.artistsofutah.org/15bytes/04feb/page4.html
2001
Touching from a distance, Foyer, Hobart and Moores Building, Fremantle, West Australia
Hutchins Art Prize, Hobart, Tasmania
‘Captive’ and ‘Witness’, ESP Project, Queen Victoria Museum and Art Gallery, Launceston, Tasmania
What’s Love got to do with it? Royal Melbourne Institute of Technology, Melbourne
Home is where the heart is, Country Arts SA. Touring exhibition
Driving Black Home, 2000 by Julie Gough and Natives on the River Ouse, 1838 by John Glover. Australian Collection Focus. Art Gallery of New South Wales
Between Phenomena The Panorama and Tasmania, Plimsoll Gallery, University of Tasmania
Response to the Island, Salamanca Arts Centre,Long Gallery, Hobart
2001-2005
Native Title Business, Museum and Gallery services QLD National touring exhibition
2000
Biennale of Contemporary Art, Festival of Pacific Arts, Noumea
heart on your sleeve, Plimsoll Gallery, University of Tasmania, Hobart
Australian Painting Now, Access Gallery, Curtin University, West Australia
Shifting Axis, Bett Gallery, Hobart
1999
National Gallery of Victoria, Russell Square
Mapping our Countries, Djamu Gallery, Australian Museum, Sydney
TRACE – Liverpool Biennial of Contemporary Art, England
Whispers, Lies and Text, Central Coast Gallery, NSW
NAIDOC Exhibition, Moonah Arts Centre, Tasmania
Whispers, Lies and Text, Artspace, Adelaide Festival Centre
Whispers, Lies and Text, University Gallery, Launceston
People, Places, Pastimes, Global Arts Link, Ipswich, Queensland
Butcher Cherel, Julie Dowling, Julie Gough, Artplace, Festival of Perth
Luna Park and the Art of Mass Delirium, Museum of Modern Art at Heide, Victoria
1998
Sculpture by the Sea, Eaglehawk Neck Bay, Tasman Peninsula, Tasmania
Whispers, Lies and Text, CAST, Hobart. University Gallery, Launceston
The Kate Challis RAKA Award Exhibition, Ian Potter Museum of Art,
University of Melbourne
MA (Fine Arts) Exhibition, Goldsmiths College, University of London
‘Globalising Cultural Studies ?’, Pacific Asia Cultural Studies Conference Exhibition, Goldsmiths College, London
Telling Tales, Ivan Dougherty Gallery, University of Sydney and Neue Galerie am Landes Museum Joanneum, Graz, Austria
All this and Heaven too, Adelaide Biennial, Art Gallery of South Australia
Permanent Collection Exhibition, Tasmanian Museum and Art Gallery, Hobart
1997
Indigenous Cultures in an Interconnected World, Fulbright Symposium Exhibition, MAGNT, Darwin
NAIDOC Exhibition, Moonah Arts Centre, Hobart
Extracts, Boomalli Aboriginal Artist’s Co-Operative, Sydney
Unusual Treasures, La Trobe University Gallery at Mildura Arts Centre, Victoria
1997 – 99
Black Humour, CCAS (Canberra Contemporary Artspace) – touring nationally
1996
Cologne Art Fair, Germany: ‘Forderprogram’
Castlemaine Festival 1996, Gallery Gabrielle Pizzi
ACAF5 (Australian Contemporary Art Fair #5) Melbourne, Gallery Gabrielle Pizzi
Multiples and Memories, Schoolhouse Gallery, Rosny Historic Centre, Tasmania
Through Their Eyes – NAIDOC Exhibition, St Kilda Town Hall, Victoria
NAIDOC Exhibition, Moonah Arts Centre, Hobart
Something to do with Ears, Conservatorium of Music, University of Tasmania
Wijay Na ? (Which way now ?), Exhibition – 24 Hr Art, Darwin
New Music Tasmania, installation ‘Disturbed Nature’ Tasmanian Museum and Art Gallery, Hobart
Mutiny on the Docks, Tasmanian Museum and Art Gallery, Hobart
Handbag, Festival Theatre Foyer, Adelaide
1995
On a Mission, Boomalli Gallery, Sydney
Significant Distractions, Couch Culture Gallery, Hobart
New Faces – New Directions, Gallery Gabrielle Pizzi, Melbourne
Nuini – We have Survived, University of Tasmania Gallery, Launceston
Perspecta 1995, Art Gallery of New South Wales
1994
Art From Trash, Moonah Arts Centre, Tasmania
Presto, Honours Graduate Exhibition, Plimsoll Gallery, Hobart
National Graduate Exhibition, P.I.C.A. West Australia
12 Days Stuck in a Hole, Fine Arts Gallery, UTAS, Tasmania
1994 – 96 Superfictions – National Touring Exhibition
1993 Curtin University BFA Graduate Show, Bentley, West Australia
1992 A Matter of Degree Group Show, Craft Council Gallery, Perth
1991 End of First Year Exhibition Curtin University, West Australia
Reviews/publications about art works/art practice
.
2014
Downes, Briony, 2014, ‘Julie Gough: Travelling Through History’, Art Guide Australia, July/Aug, pp.80-84. http://artguide.com.au/articles-page/show/julie-gough-travelling-through-history/
2013
Barrow, Emma, 2013, ‘Art beyond Conflict – Social Exchange and Reconciliation Directives’, THIRD TEXT, Sept 2013, pp.1-10. http://www.thirdtext.org/art-beyond-conflict
Jones, Jonathan, ‘Julie Gough’ in Tradition Today: Indigenous Art in Australia, Art Gallery of New South Wales, ISBN: 9781741740875, pp.56-57
Dance, Polly, ‘Time travelling exorcism’, RealTime, issue #115, June-July 2013 pg. 49. http://www.realtimearts.net/article/issue115/11155
Ryan, Judith, ‘Disquiet and resistance in the art of Julie Gough’, Artlink, vol 33, #2, 2013, pp.70-74
Jackett, Amy, ‘Testing Ground’, Artlink, vol 33, #2, 2013, pp.132
2012
Bullock, Marita, 2012, Memory Fragments: Visualising Difference in Australian History, Intellect, Bristol, UK, ISBN: 978-1-84150-553-4, pp.131 – 166
2011
Stewart, Jane, 2011, RIVERS RUN – review, ARTLINK, vol 31, No. 4, p.87
http://www.artlink.com.au/articles/3697/julie-gough-rivers-run/
Murray, Phip, 2011, The NGV Story: A celebration of 150 years, National Gallery of Victoria, ISBN 9780724103393, pp.156-57
Selby, Clyde, ‘Shadows from a Colonial Past’, The Mercury, Saturday Magazine, June 25, 2011
Australian Art Review, ‘Julie Gough’, May 2011
2010
Cubillo, Franchesca and Caruana, Wally, 2010, Aboriginal and Torres Strait Islander Collection highlights, National Gallery of Australia, Canberra, p.229
Thomas, Daniel, 2010, ‘Collected Flotsam and Jetsam of Sea Culture’, The Australian, 17 August 2010. http://www.theaustralian.com.au/news/arts/collected-flotsam-and-jetsam-of-sea-culture/story-e6frg8n6-1225906070341
Gibson, Ross, ‘North on Trouble Road’ in catalogue: Rivers Run, 5 February – 14 March 2010, Cairns Regional Gallery, Curator Janette Laver, ISBN978-0-646-52757-4, pp.6-11
Ozolins, Brigita, ‘Competing Histories’ in catalogue: Rivers Run, 5 February – 14 March, Cairns Regional Gallery, Curator Janette Laver, ISBN978-0-646-52757-4, pp.24-27
2009
Crawford, Kate, ‘Clever application of metaphors wins art prize’, Mosman News, 20 Nov 2009. http://mosman-daily.whereilive.com.au/lifestyle/story/clever-application-of-metaphors-wins-art-prize/
Hickman, Pat, ‘Why weren’t we told? Two Tasmanian artists’, Surface Design: Creative exploration of Fiber and Fabric, Spring 2009, Sebastopol, CA, pp. 26-31
http://www.pathickman.com/images/WhyWerentWeTold.pdf
Johnson, Frances, ‘Open the Victorian Curiosity Cabinet’, The Age, 12 May 2009, Art Reviews
2008
Tudor, Bec, ‘Not so Ephemeral’, Realtime, April 2008, p.46
McDonald, John, ‘Objects unearth lure of nature’, Sydney Morning Herald, Feb 23-24 2008, pp.16-17
Thomas, Daniel, ‘Environmentalists’ art at an ecotourism lodge’, Art Monthly Australia, pp.15-17, June.
Stanhope, Zara, Cumpston, Nici, Gough, Julie, ‘Writing about The Ranger’, UN Magazine, 2:1, issn: 1449-6747, 2008, pp.28-31
Allas, Tess, ‘Julie Gough’, DAAO (Dictionary of Australian Artists online), COFA (College of Fine Arts) University of NSW, http://www.daao.org.au/main/read/7088
2007
Nelson, Robert, ‘Art alive with the sound of Indigenous voices: Power and Beauty: Indigenous Art now, Heide’, THE AGE – Arts and Culture, 12 Dec 2007, p.19
Radok, Stephanie, ‘The Ranger’, Artlink Dec 2007, Vol 27. No. 4, p.95
Hoffie, Pat, ‘How to make a response to the invisible, to the absent?’ in: The Ranger catalogue, pp.14-28, SASA Gallery, UNISA, exhibition:11 Sept – 2 Oct 2007, Curator Mary Knights. ISBN 978-0-9803062-6-2
Spencer, Ric, ‘Artistic installation takes no prisoners’, The West Australian – Visual Arts, 27th August 2007, p.9
Kelly, Sean, ‘From an Island South’, Artlink, vol 27, no.2, 2007, pp.32-36
Kunda, Maria, ‘Review: An Other Place’, Circa – 120, Arts Council of Northern Ireland, Season 2007, pp. 83 – 85, http://www.recirca.com/backissues/c120/p83_85.shtml
Kesson, Anna, ‘If history is a picture puzzle how do all the pieces fit?’ Thresholds of Tolerance exhibition, curated by David Williams and Caroline Turner,ANU School of Art Gallery, Canberra, 9 May – 5 June 2007, catalogue pp.51-55, ISBN 978-0-9803673-0-0
Nicholls, Christine, ‘Response and Reconciliation’, Asian Art News, Vol. 17, No.4, July/August 2007, pp.74-80
KIrker, Anne, ‘Thresholds of Tolerances ANU School of Art Gallery 10 May – 5 June 2007’, Artlink, Vol 27, No.3, p.83
Abell, Judith, ‘Another place: Gough and McQuinn, You are going the wrong way’, Realtime, March 2007 (accessed April 2007)
http://www.realtimearts.net/feature/Ten_Days_on_the_Island/8465
2006
Haynes, Roslynn, Tasmanian visions: landscapes in writing, art and photography, Polymath Press, Hobart, ISBN 0-9775738-0-X
Kidd, Courtney, ‘Biennale Fever’, Artnotes NSW, Art Monthly Australia, July 2006, Number 191, p. 49
Smee, Sebastian, ‘A world of difference’, Arts: The Australian, Tuesday 13 June, p.14
McDonald, John, Revelations in the dark, The Sydney Morning Herald, June 24-25, pp.16-17
2005
Bullock, Marita, 2005, ‘Melancholy Debris: Black Humour and Colonial Memory in grids by Julie Gough’, Southerly, Vol 65, Number 1, University of Sydney, pp. 35-44
2003
Lindsay, Frances, 2003, ‘Interview with Frances Lindsay. NGV deputy Director (Australian Art)’, Gallery, Jan/Feb 2003, p.19
Freeman-Greene, Suzy, ‘Turning a love of art into a change of heart’, Agenda – Sunday Age, 2 February 2003, p.2
Lendon, Nigel, 2003, ‘Julie Gough’, <ABSTRACTIONS>, ANU, Canberra, ISBN 0 7315 3031 4, p.4
2002
Ryan, Judith, ‘Julie Gough’s Leeawuleena’, ABV 42 – The Annual Journal of the National Gallery of Victoria, p.66-67
Jones, Kate, ‘Drawing Power’, Herald Sun, Tues 26 November 2002, p.49
Dennis, Anthony, ‘Impressive edifice puts art into focus’, Sydney Morning Herald, October 30, 2002
The Age ‘Art Transplant’, 25 October 2002
Hill, Tania, ‘Precious skill endures’, The Mercury, Hobart, 22 Oct. 2002, p28,29
2001
Weekend Scope ‘Les installations ludiques de Julie Gough’, Mauritius, 6-12 Fev 2002, p.73
Boodhoo, Sarita, ‘Julie Gough’, Sunday Vani, 10 Fevrier 2002, p.24
Gerval-Arouff, Jeanne, ‘Les errances initiatiques de Julie Gough’, l’Express, Mauritius, 4 Fevrier, 2002, p.7
‘Julie Gough’,Jan Vani, Mauritius, 8 February 2002, p.12
Andrew, Brook, ‘Remembering Jesus: the child in Australian Aboriginal art’, Artlink, vol.21 #2, pp.20-21. (illust.)
Arts Tasmania Grants Handbook 2001, illustrations
Lehman, Greg, ‘Tense Past – Narratives of Gaps and Silences’, Artlink, vol.21 #2, p.88. (illust.). http://www.artlink.com.au/articles.cfm?id=2166
James, Bruce, ‘The big idyll’, Spectrum – The Sydney Morning Herald: Spectrum,12-13 May 2001, pp.12-13. (illust.)
Grant, Peter, ‘Wild Art at the World’s End’, Artlink, Vol.21 #1, p.16, p.17 (illust.)
inSITE Museums Australia (Victoria) Newsletter, April-May 2001, Cover image (Detail of: The Whispering Sands (Ebb Tide), 1998) and brief story, p.3
2000
Godfrey, T, ‘Liverpool Biennale’, Burlington Magazine, Vol. 142, No. 1162 (Jan. 2000), pp. 53-55
Fink, Hannah, ‘Julie Gough’,Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, pp.594-595
‘Australia’s Indigenous Arts’, Australia Council, NSW, 2000, ISBN 0642472300, p.34 (image/text) p.52
Snell, Ted, ‘Julie Gough’, Australian Painting Now, ed. Laura Murray Cree and Nevill Drury,Fine Art Press, Craftsman House, Sydney, ISBN 905703252X, pp.132–135. (2 col. images)
O’Riordan, Maurice, The Diversity of Practice’, Artlink, Vol.20, #1, 2000, p.65
Breynard, Shane, ‘Global Virus – Latest Symptoms’, Broadsheet, Summer 99/00, Vol 28, No.4, Contemporary Art Centre of SA, p.22
University of Tasmania Research Report 1999,University of Tasmania, 2000.p.20 (2 col. Images)
1999
Reardon, Valerie, ‘Trace – Liverpool Biennial of Contemporary Art’, Art Monthly UK, November 1999, #231, pp.34-35
Flowers, Paul, Rich Creativity’, Methodist Recorder, 14 October 1999, p.13 (illust.)
O’Brien, David, ‘Whispers, Lies and Text’, DB Magazine, June 16-29, 1999
‘The Liverpool Biennial of Contemporary Art – Program’, Art Forum International, Summer 1999
Kelly, Sean, ‘Art Notes – Tasmania’, Art Monthly Australia, June 1999, p.43
Nicholls, Andrew, ‘Unfolding from the Margins’, RealTime 30, April/May 1999, pp.8-9 (illust.p.9)
Scarlett, Ken, ‘Down by the Sea’, World Sculpture News, Vol 5, #1 Winter 1999, pp.33-35 (image p.34)
Hansen, David, Artlink, v.19, n.1, March 1999, pp.18-21
Nicholls, Andrew, ‘Arts’, Westside Observer, 19 Feb. 1999, p. (illust.)
Cavenett, Wendy, ‘Black Humour’, Black + White, #35, Feb 1999, pp.28-30 (illust.p.29)
1998
Morphy,Howard, Aboriginal Art, Phaidon Press Ltd, London, 1998. ISBN 0714837520, pp.403-4 (Illust.)
Sims, Amanda, ‘Peninsula Awash with Art’, The Mercury, 5 Nov. 1998, p.6 (Illust.)
Shrub, Sandra, ‘Sculpture by the Sea’, South East Bulletin, 4 Nov. 1998, p.1,8 (Illust.)
Andersch, Joerg, ‘Interpretation of the word in their deeds’, The Saturday Mercury, Hobart, 28 Nov.1998, p.38
Fink, Hannah, ‘Bad Memory: Art, Collecting and the Mercurial World of Julie Gough’, SIGLO #10, Aut/Win 1998. Collection/Recollection, pp.3-8. (Illust.p.6, 7, 8)
Bolton, Ken, ‘All this and heaven too – Adelaide Biennial of Australian Art, 1998’, Art Monthly Australia, # 109, March 1998, pp.8-9 (Illust.p.9)
Mosby, Tom Byra Mixie, ‘The Hell of Primitivism’, Like – Art Magazine, #5, Summer/Autumn 1998, pp.18-22 (Ilust. p.21)
Murray, Kevin, ‘Adelaide Biennial’, ArtLink, v.18n.2,pp.85-86
French, Blair, ‘Adelaide Biennial’, Art + Text, # 62, Aug – Oct 1998, pp.95-96
Klaosen, Di, ‘Tasmania – A Laissez Faire Attitude’, Periphery, #34, Autumn 1998, p.17
Radok, Stephanie, ‘Black Humour’, ArtLink, v.18n.3, p.80
Quail, Avril, ‘Black Humour’, Periphery, #34, Autumn 1998, p.33
1997
‘Julie Gough’ TAS APAC (Tasmanian Aboriginal Perspectives across the Curriculum), Tasmanian Aboriginal Education Unit, Hobart, p.4.54 – 4.55 (Illust.p.54-55)
Denholm, Michael, ‘The Artist as Detective’, Periphery, #33, Summer 1997, pp.23-25 (Illust. 23- 25)
Warhurst, Myfanwy, ‘Revealing the Rot in Romance’, The Age, Fri. 15 Aug. 1997, Entertainment Guide, p.17 (Illust.)
Lewis, Felicity, ‘A Case of Junk Art’, The Herald/Sun, 7 Aug.1997, p.51 (Illust.).
‘Indigenous Cultures in an Interconnected World’ 1997 Fulbright Symposium – Pre-circulated papers (Coverpage Illust.)
Barron, Sonia, ‘Provocative and Timely Humour’, The Canberra Times, 18 July 1997,
p.12
Proudfoot, Cassie, ‘Aboriginal Artists See Funny Side’, The Canberra Times, 11 July 1997, p.11 (Illust.)
Samstag Application visuals, Art Monthly Australia, # 97, March 1997, p.9
Hill, Peter, ‘Samstag award helps artist in PhD bid’, Unitas # 115, 10 Mar. 1997, p.5
Mundine, Djon, ‘Nothing is Understood. Culture Conferences – a Final Look’, Periphery #30, February 1997, p.21, p.35
1996
Lehman, Greg, ‘First Voice – A vehicle for Human Rights’, Siglo – journal for the Arts, Hobart, #7 Summer 96/97, pp.4 – 8 (Illust.p.5 – 8)
Schneider, Bruno F, ‘Köln Art Fair’, Kolnische Rundschau, Koln, 12 Nov.1996
Kisters, Jurgen, ‘Köln Art Fair’, Kolner Stadt-Anzeiger, Koln, 14 Nov.1996, p.41
Wallroff, Gunter, ‘Köln Art Fair’, Express-Koln, 14 Nov. 1996, p.2
Lovibond, Jane, ‘The Art of Storytelling with everyday objects’, The Mercury, Hobart,
2 Nov.1996, p.33. (Illust.)
The Australian, ‘Samstag Winners announced’,Fri. 1 Nov 1996, p.12
The Age,‘Samstag 1996’, Fri. Nov. 1, 1996, p. B4.
The Mercury ‘State Grant to Artist’,Hobart, 18 Sept 1996, p.9
Timms, Peter, ‘Julie Gough for Cologne’, Art Monthly Australia, #93, Sept. 1996, Artnotes: National, p.34
Murray, Dawn, ‘Wijay Na …?’, Art Monthly Australia, #92, August 1996, p.27
Lancashire, Rebecca, ‘Cologne Selection’, The Age, Wed 31 July 1996, p.B15
Hill, Peter, ‘The Next Wave, nightclubs and surrounding islands’, Art Monthly Australia #91, July 1996, p.13
Foley, Fiona, ‘Where the Salt Water meets the Fresh Water’, Periphery, #27, May 1996, pp.20-23
Colless, Edward, ‘Quietly Gothic’, Realtime # 12, April/May 1996, p.38
1995
Hill, Peter, ‘The Art Fair Murders’, Art Monthly Australia, Dec 1995, p.32
Art and Australia, Exhibition Commentary, v.33 # 1, Spring 1995, p.107
Swann, Heather B., ‘Julie Gough’, C.A.S.T Magazine (Contemporary Art Services Tasmania) Interview by Aug.1995, pp.20-24
Nelson, Robert, ‘Julie Gough, Gallery Gabrielle Pizzi’, The Age, 17 May 1995. p.23
McIntyre, Jo, ‘Insight into a Culture that is Flourishing’,The Examiner, 6 May 1995, p.19
Mendelssohn, Joanna, ‘Art Interbreeds’, The Bulletin, 21 Feb 1995, p.78
Lloyd, Tim, ‘Struggling to find a foothold’, The Adelaide Advertiser, 18 Feb 1995, p.31
Rankin, Amanda, ‘Perspecta’, The Drum Media, 14 Feb 1995, p.56
McDonald, John, ‘Why Perspecta has lost its hybrid perspective’, Sydney Morning Herald, Feb 11, 1995, p.13A
James, Bruce, ‘Perspecta Exhibition a Hybrid Exploration’, The Age, 8 Feb 1995
Kavanagh, John, ‘Contamination as a moral issue’, Business Review Weekly, 6 Feb 1995,p.84
Pos, Margaretta, ‘Fearless Five in Visual Art Impact’, The Mercury, 4 Feb 1995, p.37
1994
The Mercury, ‘Diverse Media’ 17 Dec 1994, p.37
Annear, Judy, ‘The making of Australian Perspecta 1995’, Art Monthly Australia, Nov 1994,pp.12-13
Hill, Peter, ‘Visual Artists honoured with Exhibition selection’, Unitas, 21 Oct 1994
Bromfield, David, ‘Youthful energy opens eyes to exciting styles’, The West Australian, May 21, 1994,The Arts p.4
DVD
.
2014
‘Julie Gough’ Art + Soul, Series 2, Episode 2, Beauty and Cruelty, 2014, Hetti Perkins and Hibiscus films, Sydney. http://hibiscusfilms.com.au/artandsoul/
2007
‘Julie Gough: we walked on a carpet of stars’, 2007, 26 minutes, Creative Cowboy films, ISBN 0-9757794-4-3, www.creativecowboyfilms.com
‘Julie Gough: The Australian Art Resources pack’, 2007, 2 x dvd, 1 x cd education resource,www.creativecowboyfilms.com
Exhibition catalogues
.
2012
National Indigenous Art Triennial & Lane, Carly & Cubillo, Franchesca & National Gallery of Australia (2012) Undisclosed: 2nd National Indigenous Art Triennial. Canberra, National Gallery of Australia, ISBN: 9780642334213 (pbk.)
Mantelli, Fulvia & Johnson, Renee & Baylis, Troy-Anthony, Cumpston, Nici & Croft, Brenda L, Mundine, Djon., 2012, Deadly : in-between Heaven and Hell : new works by eight leading Australian Aboriginal artists and collectives, Tandanya National Aboriginal Cultural Institute, Adelaide
2011
Innes-Brown, Vashti, Malcolm, Chris, Williams, Pauline, 2011, Evolving Identities: contemporary Indigenous Art, John Curtin Gallery 13 May – 6 July 2011, Curtin University, West Australia, ISBN 978-0-646-55433-4, pp. 14-15, 21 and http://media.murdoch.edu.au/evolving-identities
2010
Shifting sands : Botany Bay today, curated by Ace Bourke & Anna Lawrenson, Hazelhurst Regional Gallery & Arts Centre, Gymea, N.S.W. ISBN: 9781921437199 (pbk.)
Littoral,9 April – 16 May, Carnegie Gallery Hobart. Curator Vivonne Thwaites, ISBN 978-0-9805524-3-0, pp.42-43
Rivers Run, 5 February – 14 March, Cairns Regional Gallery, Curator Janette Laver, ISBN978-0-646-52757-4, 32 pages.
2009
2009 Clemenger Contemporary Art Award, 17 Sept 2009 – 7 Feb 2010, National Gallery of Victoria, issn: 1833-8097, p.12, 30, 31, 54
Recycled Library – Altered Books, curator Michael Wardell, Artspace Mackay, 4 Sept – 25 Oct and touring 2010. ISBN: 978-0-9805345-1-1
Returning, Barn, Rosny, curator Gwen Egg, 8 May – 7 June 2009, ISBN 978-0-9594281-5- 5, p.8
Mute relics & bedevilled creatures, Counihan Gallery, Brunswick, 1 – 31 May 2009, ISBN 978-0-9805853-0-8, p.6
TRUST, Clarendon, Evandale, Tasmania, curator Noel Frankham, 16 March – 19 April 2009 ISBN 978-1-862965-498-4, p.4, 5
2008
The stuff of history, Plimsoll Gallery, University of Tasmania, Hobart, 15 August –5 Sept. Curator Jonathan Holmes. ISBN 978-1-86295-463-2, pp. 15, 16, 30, 31, 44
Parallel, Long Gallery, Salamanca Arts Centre, Hobart, 5 – 31 August, Curator Brigita Ozolins, ISBN 978-0-646-49783-9, pp. 10, 11, 24, 25, 41
Ephemeral Art at the Invisible Lodge, Friendly Beaches, Freycinet Tasmania, Feb 08. Curators Dick Bett, Peter Timms, Peter Handley
http://www.freycinet.com.au/ephemeral_art/juliegough.html
2007
Power and Beauty: Indigenous Art Now, Heide Museum of Modern Art, 17 Nov 2007 – 10 March 2008, Victoria, Australia, Curator Judith Ryan, ISBN 978 1 921330 03 2, pp. 2, 4, 23-24
The Ranger, SASA Gallery, UNISA, 11 Sept – 2 Oct 2007, Curator Mary Knights. ISBN 978-0-9803062-6-2
An Other Place, Long Gallery, Salamanca Arts Centre, Hobart, curator Sean Kelly, pp.16-19, ISBN 978-0-646-47434-2
Thresholds of Tolerance, ‘If history is a picture puzzle how do all the pieces fit?’ Anna Kesson, curators David Williams and Caroline Turner, ANU School of Art Gallery, Canberra, 9 May – 5 June, catalogue pp.51-55, ISBN 978-0-9803673-0-0
2006
Biennale of Sydney 2006, ‘Unsettledness – Julie Gough’s LOCUS’, Judith Ryan, ISBN 0 9580 403 1 1, editor/curator Charles Merewether, 7 June – 27 August, pp.120-1
Tidal 06, 1 Dec 2006 – 28 Jan 2007, Devonport Regional Gallery, ISBN 0-9775913-2-8, pp.12-13
In the world: Head, Heart, Hand, the 17th Tamworth Regional Textile Biennial 2006, Thwaites, V, ISBN -13:978 0 9577871 7 9 & ISBN -10: 9577871 7 0, p.7, 19
An island South, An Asialink/Devonport Regional Gallery Touring Exhibition, Stewart, Jane, ISBN 0 7430 3660 4, pp. 1-10
Senses of Place, Plimsoll Gallery, University of Tasmania, 4-26 April 2006 ISBN 1 862 95 306 6
Single Currency,Victoria College of the Arts, Melbourne, 3-25 March 2006
2005
Cross Currents, Linden – St Kilda Centre for Contemporary Art, 28 June – 7 August Catalogue issue 1000, pp.1-2, 4, catalogue essay ‘Recovering’ by Julie Gough
On Island, Devonport Regional Gallery, Tasmania, Essay: On Island by Jane Stewart pp.10-11, 11 March – 17 April 2005, ISBN 0-9750729-3-5
Isolation/Solitude, Salamanca Arts Centre, Hobart, Tasmania, 31 March – 1 May, ISBN 0 9581745 3 9
2003
<ABSTRACTIONS>, ANU Drill Hall, Canberra, 2 Oct – 9 Nov 2003, Nigel Lendon,‘Julie Gough’, ISBN 0 7315 3031 4, p.4
2002
Flagship: Australian Art in the National Gallery of Victoria, 1790-2000, 2002, Ed. Isobel Crombie, National Gallery of Victoria, p.78
Indigenous Australian Art in the National Gallery of Victoria, NGV, 2002. p.20. ISBN 0 72410221 2 4
2001
Native Title Business, Museum and Gallery services QLD Touring exhibition, ISBN 0958529167
Home is where the heart is, Country Arts South Australia Touring Exhibition. ISBN 09595800-6-9
What’s Love got to do with it, RMIT Gallery Melbourne, August 200
Response to the Island, Salamanca Arts Centre, Tasmania, 2001.ISBN 0 646 41342 2
Between Phenomena: The Panorama and Tasmania, University of Tasmania, 2001. ISBN 0 85901 944 6.
John Glover Natives of the Ouse River Van Diemen’s Land 1838 and Driving Black Home 2000, Australian Collection Focus Series, Art Gallery of New South Wales, 2001
10 Days on the Island Festival Brochure, 2001, Tasmania. Page 36
2000
Biennale d’art contemporain de Noumea Catalogue, Agence de developpment de la culture Kanak, ADCK, 2000, ISBN 2-909-407-86-1, p42, 131
heart on your sleeve, curated by Kylie Johnson, Plimsoll Gallery, University of Tasmania, Hobart
1999
TRACE – Liverpool Biennial, UK, Curated by Tony Bond, ISBN 0953676102
Luna Park and the Art of Mass Delirium, Museum of Modern Art at Heide, p.30
Exploring Culture and Community for the 21st Century, ‘Some Notes on Sport, Masculinity, Globalism and Art’, Global Arts Link, Ipswich, 1999. ISBN 0958634807. p.75
Mapping our Countries, Djamu Gallery, Australian Museum, Sydney
1998
Whispers, Lies and Text, CAST, Hobart (Illust)
Sculpture by the Sea Tasmania Nov. 1998 (Illust p.16)
Telling Tales, Ivan Dougherty Gallery and Neue Galerie am Landesmuseum Joanneum, Graz, Austria. p.26, 55 (Illust.p.26)
All this and Heaven too – Adelaide Biennial catalogue, 1998 ‘My Tools Today’ by Clare Williamson, p.34, 35, 69 (Illust. p.35). ISBN 0730830586
1997
Black Humour, CCAS, ACT, July 1997, p.21,22 (Illust p.21)
Extracts, Boomalli, Sydney, April 1997 (Illust.p.3)
1996
Koln Art Fair, Oct. 1996
Dark Secrets, Home Truths, Gallery Gabrielle Pizzi, Melbourne
ACAF5 (Australian Contemporary Art Fair #5), Melbourne, Gallery Gabrielle Pizzi and conference speaker ‘Landscape and Memory’
1995
Perspecta 1995, ‘The Eagle has Landed’, Peter Hill, Art Gallery of New South Wales, Feb. 1995, p.46
Nuini, University Gallery, Launceston, Tasmania, April 1995
Website
.
http://juliegough.net
.
June 2012
.
