Julie Gough

Publications

Monographs

2021 

Gough, J, 2021, TENSE PAST, Tebrikunna Press, designed by Lynda Warner/Warner Designs

2018     

Gough, J, 2018 ,  Shale, Lost Rocks series: A Published Event, ISBN: 978-0-6482557-6-5

Gough, Julie & Boyce, James, (contributor) & Ozolins, Brigita, (contributor.) &                                               Carroll, Khadija von Zinnenburg, (contributor.) 2018, Fugitive history : the art of   Julie Gough. UWA Publishing, Crawley, Western Australia

2009          

Gough, J, 2009, Tayenebe – Tasmanian Aboriginal Women’s Fibre work, Tasmanian Museum and Art Gallery Hobart. ISBN   978-0-9806327-1-2

Book Chapters

2021 

Gough, J, 2021, ‘The Unsettled’, in Nicholas Chare and Mitchell B Frank (eds), History and Art  History – looking past disciplines, Routledge, New York, ISBN: 978-0-367-25601-2 (hbk), 30  Nov. 2020, pp.54-71

2020

Gough, J, 2020, ‘The artist as detective in the museum archive: a creative response to   repatriation and its historic context’, pp.835 – 853 in (eds), Cressida Fforde, C. Timothy McKeown, Honor Keeler, Routledge Companion to Indigenous Repatriation, Routledge,  Oxon, UK, ISBN: 978-1-138-30358-4 (hbk) 5 Mar. 2020.

2018

Gough, J, ‘tayenebe, exchange — Reviving Aboriginal fibre work in Tasmania’,     pp.197-   199, in Bronwen Douglas, Fanny Wonu Veys, and Billie Lythberg, Collecting in the   south sea – The Voyage of Bruni d’Entrecasteaux 1791-1794, Sidestone Press, Leiden, ISBN: 9789088905742

2016               

Gough, J, ‘The Possessed Past. Museum: infiltration and Outreach and the Lost World (Part 2)’, pp.51 – 102, in Carroll, Khadija von Zinnenburg. and Gough, Julie. and Viejo-Rose, Dacia. and Smith, Ellen. and Balzar, Christoph. and Adams, Mark. and Thomas, Nicholas.  The importance of being anachronistic :  contemporary Aboriginal art and museum reparations / essays by Khadija von Zinnenburg Carroll, Julie Gough, Dacia Viejo-Rose, Ellen Smith and Christoph  Balzar ; with photographs by Mark Adams and a foreword by Nicholas Thomas ;  edited by Khadija von Zinnenburg Carroll  Discipline in association with Third Text Publications [Melbourne, Victoria]  2016

‘Colonial Representation and Appropriation of the Tasmanian Aboriginal shell necklace’, pp.65 – 73, and ‘The Gift of Sharing’, pp. 97 – 99, Kanalaritja: an unbroken string, Tasmanian Museum and Art Gallery, Hobart, ISBN: 9344187003074

2014   

‘Honouring the past / making a future – The Tasmanian Aboriginal shell necklace tradition’ and ‘Lola Greeno: Cultural Caretaker’ in Lola Greeno: Cultural Jewels, Object Gallery, NSW, pp.108-116, 159, ISBN: 978-0-9578180-1-9

Gough, J, 2014, ‘Forgotten lives – the first photographs of Tasmanian Aboriginal people’, in: Calling the Shots: Aboriginal Photographies, edited by Dr Jane Lydon, Aboriginal Studies Press, Australian Institute of Aboriginal and Torres Strait Island Studies (AIATSIS), Canberra, Australia, ISBN: 9781922059598

2011            

Gough, J, 2011, ‘The conciliation (etching)’, Alisa Bunbury (ed.) This Wondrous Land: Colonial Art on Paper, National Gallery of Victoria,  isbn: 9780724103447

2009           

Gough, J and Naylor, S, 2009, ‘Circuit Breaking? Indigenous Australian Art and Critical Discourse’, Crossing Cultures: Conflict, Migration and Convergence(ed) Jaynie Anderson, Miegunyah Press, University of Melbourne, ISBN 978‐0‐522‐85711‐5, ch.164, pp.820‐825

2006

Gough, J, 2006, ‘Being collected and keeping it real’, Keeping Culture: Aboriginal Tasmania, (ed) Amanda Jane Reynolds, National Museum of Australia, Canberra, ISBN    1 876944 48X, pp. 9-20

Gough, J, 2006, ‘Being there, then and now – aspects of south east Aboriginal art’, Landmarks, (ed) Judith Ryan, National Gallery of Victoria, ISBN    0 7241 0267 1, pp.125 -131

2005

Gough, J, ‘Aboriginal Art’, ‘ Langerrareroune (Sarah Island)’, ‘Oyster Cove’, ‘Penemeroic, Toinneburer, Rawee’, ‘West coast Aboriginal escapes’, in (ed.) Alison Alexander, 2005, The Companion to Tasmanian History, Centre for Tasmanian Historical Studies, University of Tasmania, ISBN  186295223X, five entries p.1, 206, 261-2, 268-9, 383. Download:

2004             

Gough, J, ‘Richard Browne’, ‘Benjamin Dutterau’  ‘Conrad Martens’, ‘John Skinner Prout’, in ed. Lindsay, Frances, 2004, The Joseph Brown Collection, National Gallery of Victoria, 2004, ISBN  0724120523 pbk,p.40; p.42; pp 46-7; p.50.

Gough, J. & Purich, T, 2004, ‘Minyma Tjuta: Many women working with fibre and the figures of Kantjupayi Benson’ in ed. Judith Ryan, Colour Power – Aboriginal Art post 1984, National Gallery of Victoria, 2004, ISBN  0724120566  pbk, pp.126 -130

2000     

Gough, J, 2000, ‘Cultural Relevance and Resurgence: Aboriginal Artists in Tasmania Today’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN  0195506499, pp.255-259. Download: 2000 Oxford companion entries

Gough, J, 2000, ‘Physiological Adaptation to Cold and other true horror stories’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN  0195506499, p.97

Gough, J, 2000, ‘History, Representation, Globalisation and Indigenous Cultures: A Tasmanian Perspective’, in Indigenous Cultures in an Interconnected World, eds Claire Smith and Graeme Ward, Allen & Unwin, 2000, ISBN  186448926X , pp.89-108

Journal articles

2021

Gough, J, 2021 Aug. ‘CONSTRAINED | RECLAIMED – Our Country Calls’ in AMAGA   journal, ed. Bernice Murphy

2018   

Gough, J, Moenne, F, O’Connor, Robert, 2018, ‘237 days: parallel/return’ Garland (tunapri), June, ed. Kevin Murray https://garlandmag.com/article/237-days-parallel-return/

Gough, J, ‘Filming A Tasmanian Requiem’, Island, Tasmania, June

Gough, J, ‘The Traveller’, un Magazine 12.1: The Unbearable Hotness of Decolonisation, co-edited by Maddee Clark & Neika Lehman, May 2018 http://unprojects.org.au/magazine/issues/issue-12-1/

2017

Gough, J, ‘The Chase: Finding the hidden figures of history’, Art Monthly Australia, Issue 298, May 2017, pp. 56-61

2015  

Kent, Helen, Susie May & Julie Gough, 2014, ‘Working with contemporary  Indigenous art as text: Julie Gough’s Imperial Leather’, UNESCO Observatory Multi-Disciplinary Journal in the Arts, vol. 4, issue 1, 2015, pp. 1–13

2013  

Gough, J, 2013, Fugitive history, images, Griffith Review, no. 39 (Autumn 2013), pp.193-200

2012

Gough, J, ‘2011 Indigenous Ceramic Art Award’, The Journal of Australian Ceramics, vol 512, July 2012, pp. 42-45

2010            

Gough, J, 2010, ‘TAYENEBE/EXCHANGE’, Artlink, vol 30, #1, March 2010, pp.81-83.

2009       

Gough, J, 2009, ‘Tayenebe – Tasmanian Aboriginal women’s fibrework’, Object Magazine 59, October, pp32-33, issn: 1038-1856. Download: 2009_Object TAYENEBE

2006        

Gough, 2006, J, ‘Trading Places – why make Indigenous Art and where goes culture?’, MACHINE, Artworkers Alliance Queensland, Brisbane, Dec 2006, issue 2:3, issn: 1834-0237, pp.7-9. Download: 2006_Machine_article_Indig_Art

Gough, J, 2006, ‘The ‘Xstrata Coal Emerging Indigenous Art Award: some thoughts from the baseline’, Artlines – Queensland Art Gallery contemporary art journal, April 2006, ISSN 1325-8842, pp. 50-51

2005         

Gough, J, 2005, ‘Space to Move and Grow: Bill Viola, Dadang Christanto, Hany Armanious, Wendy McGrath’ Art and Australia, Vol 43 No 2 Summer 2005, ISSN 0004-301X, p.276

2004   

Gough, J, 2004, ‘Lola Greeno’s Purmaner’, ABV 44 – The Annual Journal of the National Gallery of Victoria, (ed) Isobel Crombie, ISSN 0066 7935, pp. 94-95

Gough, J, 2004, ‘Messages received and lately understood’, Australian and New Zealand Journal of Art, Vol.2, Number 1, issn 1443-4318, pp.155–162

1997              

Gough, J, 1997, ‘Indigenous Australians in the Australian Museum’, Periphery #31, May 1997, issn 1034-0580, pp.10-13      

Gough, J, 1997, ‘Cultural Relevance and Resurgence – Aboriginal Artists in Tasmania Today’, Art and Australia, Sept.1997, Vol.35 /No.1, issn 0004-301X , pp.108– 115

1996           

Gough, J, 1996, ‘From the Deep South bearing True North – Reflections on the Wijay Na ? Conference and Exhibition’, Periphery # 28, August 1996, issn 1034-0580, p.7

1995

Gough, J, 1995, ‘N.J.B. Plomley – My memories of that meeting’, Pugganna, TAC (Tasmanian Aboriginal Centre Inc), Feb 1995, No.42

Exhibition catalogue essays

2021  

Gough, Julie, 2021, ‘Entretien avec’, in, Australia / Le Havre. The intimacy of a link (1801 –   2021), Muséum d’histoire naturelle, Le Havre (5 June 2021 – 7 November 2021), MfK Editions, isbn: 979-10-92305-77-7, pp.150-153

2020  
Gough, J, ‘I am Witness’, in Too Many Cooks, exhibition catalogue, curated by Rachael                            Rose and Greg Lehman, 7 August –2 October 2020, Plimsoll Gallery, University of           Tasmania, Hobart

2019
Gough, J, ‘Our Mirror / Your Lens – Types and Stereotypes’, in ‘Queen’s Land Blak Portraiture: Late 19th Century to The Present’, pp.81-84.Exhibition: 17 May – 11 August 2019, Cairns Regional Gallery. Ecatalogue: 978-0-646-90769-7, catalogue: 978-0-9943576-1-8 https://issuu.com/cairnsregionalgallery/docs/queen_s_land_publication_2019

2013

Gough, J, in Harms, Lisa and Brown, Nic and Gough, Julie and Salmon, Fiona and Radok, Stephanie and Flinders University Art Museum, 2013, Crystal Palace, edited by Stephanie Radok, Flinders University Art Museum Adelaide, S. Aust, ISBN: 9780980520880

Gough, J, TESTING GROUND, Salamanca Arts Centre, Hobart. ISBN: 978-0-9870996-2-4

2012   

Gough, J, ‘Up Close and Personal – Diverse and dedicated Indigenous ceramicists in Australia’, 2011 Indigenous Ceramic Award, Shepparton Art Gallery, Feb. 2012, pp-8-11, ISBN: 978-0-9870487-3-8

2009           

Gough, J, 2009, ‘Being Home: responsibility to Country’, re-earthing exhibition catalogue essay, Devonport Regional Gallery, March, ISBN  978-0-9806231-0-9, pp. 6-15

2008          

Gough, J, 2008,  ‘The haunted and the bad’, Catalogue essay, Linden Gallery, St Kilda, Victoria, July. ISBN   978-09579354-5-7. Download catalogue: 2008_Haunted_catalogue

2007    

Gough, J, 2007, ‘The Ranger: Seeking the hidden figure of history’ catalogue essay for exhibition: The Ranger, SASA Gallery, UNISA, 11 Sept – 2 Oct 2007, Curator Mary Knights, pp. 7-11, ISBN   978-0-9803062-6-2. Download catalogue: http://www.unisa.edu.au/artarchitecturedesign/sasagallery/catalogues/sasaranger.pdf

Gough, J, ’Strait on Shore’ catalogue essay for King Island Community art    installation, Currie, King Island, March 16 – April 30, 2007

2005       

Gough, J, ‘Recovering’, Cross-Currents exhibition catalogue essay, Linden – St Kilda Centre for Contemporary Art, 2 July – 7 August, 2005

2004            

Gough, J, ‘Every which way but lost – the surround sound of skin’, SKIN exhibition catalogue essay, Long Gallery, Salamanca Arts Centre (Touring exhibition) , Hobart. 8 July – 8 August , 2004

2000

Gough, J, Talking Together – Conversations between artworks’, Catalogue essay for the Exhibition Talking Together.  Curated by Lola Greeno, University Gallery, Launceston, September, 2000, pp.4-8